Lisa Krannichfeld first caught my eye on instagram. I’m not sure how I stumbled across her work but I was captivated from the moment I saw one of her paintings. The boldness of color, the prints, patterns, and the electricity I felt coming off the subjects. I simply fell in love with each piece. Lisa’s recent bodies of work: Undomesticated Interiors and Girls and Guise are rebelling against the traditional portrayal of women of the 17th – 19th centuries as demure, decorative objects, belonging to their husbands or fathers and seeks to retell the female narrative.
Lisa’s website states “Girls and Guise references a play on words. In this context guise references both the facade created by men of the female gender, and the heavy emphasis of the patterned clothing in the pieces. Their clothes, or guises, are infused with feral and aggressive animals, a symbolic rebellion against the historical domesticated depiction of women. The jarring, faceless compositions represent any and all women who desire to define their own perspective and create their own narratives. Intentional hand gestures hint at conviction.”
Lisa’s work has been featured in numerous exhibitions and publications nationally and internationally including shows across the United States, Asia, Australia, and Europe. Most recently her work was chosen as the grand award winner in the 2018 60th Annual Delta Exhibition. In 2017 she won the grand award at the Fort Worth Community Arts Center Juried Exhibition, and Best in Show at the 2017 Magic City Art Connection Art Fair in Birmingham, AL.
She has had work featured in numerous worldwide publications, was the face of Saatchi Art’s Spring 2019 “Refuse to be the Muse” campaign, and has had work featured in Anthropologie. Her work is included in several private and corporate collections throughout her home state of Arkansas as well as in collections around the world.